acrylic on canvas
59 pieces, installed 200 x 400 x 200 cm
As a student in the Experimental Arts Department at Beijing’s renowned Central Academy of Fine Arts, Dong Yuan began to document the mundane objects of daily life. She decided to paint, literally, everything she owned. Home of Paintings and Sketch of Family Belongings (2008) record, on fifty-nine and one hundred and eighty-six canvases respectively, the two apartments in which she lived as a student. With obsessive attention to detail, she rendered mundane objects on flat surfaces. Our gaze travels across a pair of shoes, a box of tissues, empty coat hangers, a striped towel hanging on the back of the door, an electric kettle and tea thermos, umbrellas leaning in a corner, books piled haphazardly on wonky shelves, stacks of papers, and a teapot. Some are painted with a Cézanne-inspired aerial perspective, others with meticulous trompe l’oeil illusionism. The canvases are then arranged in real space, in three dimensions: to enter the installation is to have sense of intruding on a private, domestic space. These works provide a glimpse into the world of a stranger, the same voyeuristic frisson as witnessing alternate lives in the blue light of a television screen through an un-curtained window.